A Pair of (almost) Perfect Peppermint Jumpsuits

You know that feeling when you get/make a new piece of clothing and instantly wonder what on Earth you wore for 27 years before this was in your wardrobe…? Well, that’s exactly what happened with these. I made the first in a lightweight denim a couple of weeks ago and it became an instant favourite. Frankly it’s barely seen my wardrobe because as soon as it’s washed I’m wearing it again, and as soon as I’ve worn it suddenly blue washing becomes a priority…


So yes, I love this pattern. And you know what I love most about it?! It’s free.


Yep. Free.


No, frankly I couldn’t believe it either. But it’s true. Here’s the link, so you can’t call me a liar. I’d been crushing hard on this one for a while. After it was released, my Instagram feed started filling up with beautiful versions from all over the world. I’m a sucker for jumpsuits anyway – I’ve made one before which I wear a lot, and these two bring the total number of jumpsuits in my wardrobe to seven. One for every day of the week.


My only modifications were to add an inch onto the bodice length (I’ve got a long body and short legs – weird) and add infinitely practical inseam pockets from the offcuts (Yay! Pockets!). Other than that I was able to stay true to the original sizing, which is unusual for me but the loose fit and wide cut on this pattern was very accommodating on my big bum. Plenty of trunk for the junk in this one.


I’ll admit my first one isn’t perfect, but I love it anyway. It’s made from a lightweight denim I bought on Walthamstow Market a few months ago. The bust darts don’t quite sit in the right place on me – they’re a bit high and pointy, but I don’t think it matters too much. I somehow put the pockets a little too low too – its not a big problem because they’re still perfectly serviceable, it just means a have to do a little stretch every time I need my phone. So I’ve probably done myself a favour – stretching’s good for you right?

Denim Jumpsuit
Denim Jumpsuit

Both these faults were corrected in my second version, which I think is practically perfect. This one’s made from a dreamy purple Liberty Tana Lawn which I bought in the sale last year for £9 a meter! Gorgeous isn’t it?! The print is called Sandy Ray, and it’s a lot of little mountain/beach scenes in a one-way repeat. I’d been scared to use it because it was so beautiful and precious, but after making this jumpsuit in denim I knew it had to be done. I love how the simple shape really showcases the fabric, and wearing it from top-to-toe makes a bold statement. Part of me wonders whether I should have pattern-matched down the front, but I think this would have been pretty hard given that the repeat is big but highly detailed. Plus, I couldn’t be sure that perfect pattern-matching would have allowed me to squeeze this out of my 3 meters – I didn’t have an awful lot to spare, that’s for sure!

Close up of Sandy Ray
Close up of Sandy Ray
Liberty Print Jumpsuit

The pattern itself is a total winner. Admittedly, I’ve never done a full-size PDF download before and taping it all together took ages and was actually quite boring. To speed things up a bit I invested in one of these paper trimmers from The Works, which took some getting used too but once I’d got the hang of it was so much neater and quicker that cutting the edges off each sheet with scissors. It took two full evenings of quality time with the sticky tape at my dining table, but now that it’s done I’ve got it to use forever.


The instructions were nothing short of sexy. I know, weird choice of words. But I’m telling you, the written stuff and diagrams are so damn clear that I was in raptures. There was even a perfectly concise and well illustrated explanation of how to insert an all-in-one lining, which has previously had me banging my head against a wall because I totally didn’t get it, but with these instructions I got it right first time. First. Time. 

Super clear instructions
Super clear instructions

I just love them. They’ve been an absolute god-send in the recent heatwave because the cut-away back and loose fit give such great ventilation, and my fabric choices have made them super breathable. Like all jumpsuits, they combine all the effortless glamour of a dress with the comfort and practicality of trousers (which is why I love them so much!). Plus, they’re really easy to dress up or down – the denim one in particular looks just as good in town with a rucksack and slides or on a posh night out with fancy earrings and heels. It’s sort of like an LBD, except that it’s not black or a dress. Or even particularly little actually.

Cooling cut-away back
Cooling cut-away back

Now I’ve made these, I’m eager to try some more In The Folds for Peppermint patterns – but which one should I pick…? That peplum top is pretty cute..

Tutorial: Stash-Busting Book Cover

I know this is meant to be a fashion sewing blog. You don’t need to tell me twice. But oh my word, it’s September already and start of a new academic year is within touching distance.

And as of 8th September I’ll officially be a trainee teacher, of Design and Technology in Secondary Schools, specialising in Textiles.

And with that in mind, I’m going to make sure that my stationary, at least, is too cool for school. I’ve made applique book covers before, mostly as Christmas presents, and love them for their stash-busting credentials! They’re great for making use of all the pretty little bits left over from dress making that you just can’t bare to bin.

So that’s how it’s relevent.

Plus, great stationary is always in fashion, right? Remember Cher from Clueless with that fluffy pink pen?! Killing. It. 

It’s a dead simple make – possibly too simple for most avid sewists? – but it’s also a great introduction to applique. I’d fancied writing a tutorial for a while, and this simple make seemed like a good place to start. 

Also, I got my nails done this week, so you might see a higher-than-strictly-necessary number of photos featuring my hands…


What You’ll Need:

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  1. Small fabric scraps for the applique design.
  2. Small off-cuts of light/medium weight fusible interfacing (the bits left over from making neck facings are ideal)
  3. Whatever hardback book you want to cover (this plain black academic diary is from The Works and cost £1.50)
  4. Lining fabric (3 pieces – I’ll explain this in a second…)*
  5. Coordinating threads
  6. Cover fabric*

*I haven’t included any sizes or measurements here, because that’s entirely dependant on the book you choose. Have a look at Step 1 below…




Step 1: Cut out your cover and lining fabrics.

Your cover fabric needs to be cut into a rectangle 1.5cm bigger on all sides than the cover your chosen book. The easiest way to do this is by laying the fabric on the work surface the placing the book on top, opening it up so that the cover and spine lay flat. You can then measure and cut around it.

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Using this as a template, you can then cut one piece of lining fabric the same size, and two smaller pieces for the sleeves which will hold the cover in place. These must be the same height, and roughly a third of the width.

rectangles cropped.jpg


Step 2: Create Your Front Cover Design

This is the fun bit! Use the fabric you have available as inspiration for your design. It’s best to go for simple shapes, without a huge amount of detail – initials, anchors, and simple animal shapes work really well. Excuse the cliche, but you’re only limited by your imagination.*

*Oh, ok, and your skill level. If you’re a real beginner, it’s better to stick with a really simple shape and nail it, rather than to be over-ambitious and make a mess. But if you’re feeling confident, go for it! You’re using scraps anyway, so there’s no reason not to challenge yourself…

I knew I wanted to use a sampler of indigo tie-dye I made in a workshop at Walthamstow Garden Party back in July, and teamed it with scraps of orange sari silk (from the most disastrous dress I ever made – the less said about that the better) to come up with a watery koi carp design. I sketched it on paper first, then used tracing paper to make templates for the individual shapes so that I could cut them out but leave my original sketch intact to use as a point of reference. If your design is also made up of multiple shapes, I’d suggest you do the same.

fish sketch.jpg

Next, iron your fusible interfacing onto the reverse of your fabric scraps, following the manufacturer’s instructions. Then use your paper templates to draw the shapes onto the interfacing.

IMPORTANT: If, like me, your design is asymmetrical, you must flip the paper templates over when drawing the shapes onto the interfacing, as if you’re creating a mirror image. That’s because you’re now working on the reverse of the applique – when you turn it right-side up, it’ll look the same as your original design.


Cut out the shapes then reassemble your design, right-side up. If you want to add any flat details (say with fabric markers or these lovely Pentel Fabric Pastel Dye Sticks), do it now. Don’t add any raised embellishments (embroidery/sequins/beading etc) yet!

NB: It’s wise to test the markers/pastels on a scrap the the same fabric first, just to check you’re happy with the colour and finish.


Position the shapes on the cover fabric, towards the right-hand side. If your shapes overlap, make sure you layer them in the correct order to give perspective (so in my example, the tail and back fin are the “bottom layer”, then the body, then the nearer fin is the “top layer”). Pin and hand-baste in place. (Or, if you can’t be bothered with hand-basting, you can use Pritt Stick. I would normally use Pritt Stick but I don’t have any indoors. Plus, this is my first ever tutorial so I’m trying not to look too lazy.)

pinned and basted.jpg

Remove the pins (if you’ve used them) because we’re finally sewing! Using matching or coordinating thread in your sewing machine, use a small narrow zigzag stitch to cover all the exposed raw edges of your shapes to neaten and fix them in place.

IMPORTANT! This is the trickiest and most visible part of the make, so it’s important to get it right. It’s a classic tortoise/hare scenario, so take your time on it. Have a little practice with some remnants first, to make sure you’re happy with the stitch length. Then sew very slowly, using the hand wheel as you approach corners for extra precision. And when you finally reach that corner, leaving your needle down, lift the presser foot and pivot your work, to make those corners extra sharp.


NOW is is the time to add any raised details! I’ve embroidered the eyes and, er, whiskers (do you call them whiskers? Feely bits?) of the fish.



Step 3: Make your inside sleeve bits

Yes, inside sleeve bit is the technical term.

These hold the cover in place on your book, but can also be used as pockets for loose papers. When you’re done they’ll look like this:

Take one of your two small rectangles and fold and press one of the long edges to the wrong side, about 7mm, then fold over again another 10mm to enclose the raw edge. Press well and pin in place.


Neaten the edge by using a matching thread in your sewing machine, and sewing a straight stitch close to the fold. Press well and set aside. Repeat for the other rectangle.




Step 4: Construct the cover

Lay your cover fabric right side up on a flat surface, then lay the small rectangles on top, right side down. Line up the corners, ensuring the neatened edges are in the middle.


Then lay your lining rectangle on top, right side down. Pin through all layers. I find it helpful to double-pin twice on the lower edge, as in the photo. This reminds you not to sew between those two points, as you’ll need an opening to turn the whole thing through.

IMG_20170902_162114 (1).jpg

Using a straight stitch, sew around all four sides of your work, roughly 1cm from the raw edge,  leaving the gap between the double pins.



Your cover should now be taking shape! Check that it fits your book by removing pins and turning the whole thing through. It sounds weird, but the fit can very depending on the weight of fabric you’ve chosen and how thick your book is. Make any adjustments as necessary.

IMPORTANT: You’ll probably need to bend the book right back at the spine to get it into the cover (have a look at the photo below. It’s kinda hard to explain…). Don’t try to force it though, or you might risk damaging your lovely stitching.


Once you’re happy with the fit, turn it inside out again, snip the corners and trim the seam allowances using pinking shears if you have them. Turn through and use something pointy (but not sharp! A knitting needle or blunt pencil is ideal…) to make nice crisp corners. Press well and slip stitch the opening at the bottom closed.


And that’s it! Now you can smugly show off your beautiful new book cover!

So if you fancy, give it a go, and send me your feedback. I’d like to know how user-friendly my instructions and photos are, as well as how you feel about your finished items. If you ave questions, leave them in the comments below and I’ll try my best to help. And if you’re quick, there’s just time to squeeze one out before the start of term…